![]() In the movie, there can be up to 100-200 million particles in a single frame. But what we ended up doing was finding a way to combine the two together," one team member explained.Įxamples can be seen all the time in the movie - jellyfish, whales and dolphins are all depicted in a flowing, dreamy style. "It was supposed to be a contradiction between solid 3D animation and running ink art. However, the particle technique in Deep Sea helps depict the abstract style that is the essence of Chinese ink painting, the team noted. The 3D technology that most animators around the world use today tends to render more realistic and concrete scenes when animators build their digital worlds. ![]() The particle ink painting technique is a new innovation from the Deep Sea team.Īccording to the team, the technique involves piling up countless digital particles to render objects, which blur the boundaries of solid objects in the scene. The movie has been praised for its innovation and breakthroughs in storytelling as well as visuals and particle ink painting technique, which enabled the animation crew to create a dreamy world inspired by traditional Chinese watercolor painting. The movie talks about that side of human beings," Tian said. "There is a deep sea in everyone's heart that stores your depression or confusion. During a cruise trip she accidentally falls into the ocean and enters a mysterious underwater world where she meets a chef at a magical undersea restaurant and goes on a magical journey after the pair became friends.Īs for Tian, this is far from a simple sea-themed film. The movie tells the story of a little girl named Shenxiu, who is deeply sad after she is abandoned by her mother. The fish thrusting through the deep sea, which is supposed to be colorful with layers and layers of tones that are just like the light refracting across the sky," Tian said, explaining his inspiration for the colorful ocean depicted in the film. "The ocean is supposed to be like the sky above us. Shortly after his return from Berlin, the Global Times interviewed Tian as well as members of his team to talk about their years making a movie that truly "represents China and Chinese aesthetics." The festival's selection committee praised the film, calling it a stunning piece with never-before-seen visuals and ambitious storytelling. This visually stunning Chinese animation aroused the interest of movie insiders at the film festival and tickets sold out shortly after its release. The film later grabbed the interest of the Berlin International Film Festival, where it was nominated as one of the 73rd festival's Generation Kplus films. It took him and his team seven years to bring Deep Sea to the silver screen during the 2023 Spring Festival. In his own words, he defines the term ocean as a "world beyond people's imagination," which reflects the deep confusion human beings have toward modern society. Out of his affection toward Jules Verne's most famous book Twenty Thousand Leagues Under the Sea, Tian Xiaopeng, the Chinese director behind the breakout animated film Monkey King: Hero is Back, has created his own underwater world in his recent animated movie Deep Sea. Promotional material for Deep Sea Photo: Courtesy of October Media
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